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Ana Paula Tavares

by in Faculty Spotlight



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“The poetry of place was a long apprenticeship. It was not inside me. This was a language I had to learn,” says Ana Paula Ribeiro Tavares, whose work is known for its spare language, subtle eroticism, and strong sense of place. A poet and historian, Tavares is the author of seven books and the recipient of numerous prizes. She teaches Lusophone African literature at the Catholic University of Lisbon.

Prior to coming to Lisbon she grew up and lived in many different regions of Angola, serving as, among other roles, the culture delegate for Kwanza-Sul province and heading up the Research Bureau of the Centro Nacional de Documentação e Investigação Histórica in Luanda. She also served on the Angolan Commission of UNESCO. Her recent work includes Words for a Dictionary of Affection (2016) as well as several other collaborations with fellow Lusophone authors.

Ana Paula Tavares was scheduled to speak at Disquiet 2020, and we hope to be able to reschedule her for 2021. You can hear and read her poems in the original and English translation at lyrikline.org, or read Richard Zenith’s translations here.

 

Germano Almeida

by in Faculty Spotlight



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Germano Almeida, the author of eighteen books and the founder of the publishing house Ilhéu Editora, was born in Cape Verde and practices law on the island of São Vicente. In 2018, he received the Prémio Camões, the most important prize for Portuguese-language writers. Read his story “The Best-Seller” or the recent essay “Cabo Verde is the Center of the World” in Words Without Borders.

Almeida’s 1989 debut novel The Last Will & Testament of Senhor da Silva Araújo, which “uses a very sophisticated, humorous, but at the same time melancholic style” (El Pais), is considered a major work of Cape Verdean literature. It was translated into English by Sheila Faria Glaser and published by New Directions.

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Almeida was scheduled to speak at Disquiet 2020, and we hope to reschedule him for 2021.

Carla Fernandes, AfroLis and the Djidiu Collective

by in Faculty Spotlight



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Lisbon’s Djidiu Collective includes poets and storytellers from the African diaspora who meet and perform their works regularly throughout
the city. “Djidiu” means “storyteller” in Guinea-Bissau Creole.

Carla Fernandes, founder of the Djidiu Collective as well as the audioblog Radio AfroLis, says the goal of both projects is to
present “the stories of the African diaspora in Lisbon in the first person, from the source, to document the emerging Black consciousness
of Portugal.” Fernandes worked as a radio journalist with Deutsche Welle’s Portuguese for Africa before returning to Lisbon in 2014.

Fernandes and members of the Djidiu collective were scheduled to perform at Disquiet 2020 for the first time, and we’re hoping to reschedule them for 2021.

You can hear members of the Djidiu Collective perform their poetry here and here (in Portuguese).

A brief introduction to the group is available in Portuguese here.

 

 

Maaza Mengiste

by in Faculty Spotlight



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Maaza Mengiste’s second novel The Shadow King, about the Ethiopian women who fought against the Italian invasion in 1935, “is a beautiful and devastating work; of women holding together a world ripping itself apart” (Marlon James) and “a brilliant novel…compulsively readable” (Salman Rushdie).

An essayist, photographer, and documentarian as well as a novelist, Maaza was a recipient of the 2020 American Academy of Arts and Letters’ Literature Award.

Read her piece  in Lithub about the writing of The Shadow King, listen to an interview, or read one of our favorite essays by Maaza, “This is What The Journey Does” in the New York Review of Books.

Maaza was scheduled to teach a fiction workshop for the third time at Disquiet 2020, and she will, we hope, reprise that role at the rescheduled program in 2021.

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You can order The Shadow King here or anywhere books are sold.

 


Djaimilia Pereira de Almeida

by in Faculty Spotlight



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“The story of my curly hair,” says Mila, the narrator of Lisbon-based Djaimilia Pereira de Almeida’s debut novel That Hair, “intersects with the story of at least two countries and, by extension, the indirect story of the relations among several continents: a geopolitics.” Tin House Books published That Hair (Esse cabelo in Portuguese) this spring in an English translation by Eric M. B. Becker. You can read an excerpt at Lithub, or check out this thoughtful review from Anita Felicelli in the LA Review of Books. Djaimilia’s second novel, Luanda, Lisboa, Paraíso, came out (in Portuguese) in 2018 and her work has received multiple awards.

 

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Djaimilia was scheduled to speak for the fourth time at Disquiet 2020 (now Disquiet 2021). Order That Hair here or find it wherever books are sold.