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Djaimilia Pereira de Almeida

by in Faculty Spotlight



djaimilia

“The story of my curly hair,” says Mila, the narrator of Lisbon-based Djaimilia Pereira de Almeida’s debut novel That Hair, “intersects with the story of at least two countries and, by extension, the indirect story of the relations among several continents: a geopolitics.” Tin House Books published That Hair (Esse cabelo in Portuguese) this spring in an English translation by Eric M. B. Becker. You can read an excerpt at Lithub, or check out this thoughtful review from Anita Felicelli in the LA Review of Books. Djaimilia’s second novel, Luanda, Lisboa, Paraíso, came out (in Portuguese) in 2018 and her work has received multiple awards.

 

That Hair cover-final-jv.indd

Djaimilia was scheduled to speak for the fourth time at Disquiet 2020 (now Disquiet 2021). Order That Hair here or find it wherever books are sold.

 

Erica Dawson

by in Faculty Spotlight



Photo by Kevin Kelii
Photo by Kevin Kelii

Erica Dawson is “a poet fully aware of her place in time and its potential” (Jericho Brown). Her groundbreaking book-length poem When Rap Spoke Straight to God was published in 2018 by Tin House Books. She has been a regular on the Disquiet faculty since 2014 where, often in collaboration with Arthur Flowers, she has delivered some of the most affecting, virtuosic reading performances we’ve seen, which is saying something. Her essay “Americana,” just published in The Paris Review,  is required reading for the moment. Also, hear her read her poem “No, Kanye, it’s not LIKE we’re mentally in prison” at Poets.org.

 

edawson caxuxa and book

Erica was scheduled to teach her Form and Fantasy Workshop at Disquiet 2020 (now Disquiet 2021).

If you don’t already own a copy of When Rap Spoke Straight to God, you can find it here or at a bookstore near you.

A note from the DISQUIET staff

by in News



Dear Friends,

As many of you know 2020 was to be the tenth edition of Disquiet. Because of COVID that celebration has been delayed until 2021, and now that the days that would have been Disquieted (June 21 – July 3) are upon us, the saudades have hit hard.

We will have much to say about ten years of DIsquiet at next year’s program, but right now in the US we are in the midst of a long-overdue cultural reckoning with the systems of racism and bias that underpin so much of American society. So we have decided to recognize the Disquiet that would have been by featuring each day the work of one Black writer who was slated to present at Disquiet 2020.

Please read and support them and their work, and consider coming to DISQUIET next year where, scheduling and health codes permitting, you’ll be able to work with them.

Sincerely,

The DISQUIET staff